It begins with a mystery. Sylvie, the beautiful, brilliant, successful older daughter of the Lee family, flies to the Netherlands for one final visit with her dying grandmother—and then vanishes.
Amy, the sheltered baby of the Lee family, is too young to remember a time when her parents were newly immigrated and too poor to keep Sylvie. Seven years older, Sylvie was raised by a distant relative in a faraway, foreign place, and didn’t rejoin her family in America until age nine. Timid and shy, Amy has always looked up to her sister, the fierce and fearless protector who showered her with unconditional love.
But what happened to Sylvie? Amy and her parents are distraught and desperate for answers. Sylvie has always looked out for them. Now, it’s Amy’s turn to help. Terrified yet determined, Amy retraces her sister’s movements, flying to the last place Sylvie was seen. But instead of simple answers, she discovers something much more valuable: the truth. Sylvie, the golden girl, kept painful secrets . . . secrets that will reveal more about Amy’s complicated family—and herself—than she ever could have imagined.
A deeply moving story of family, secrets, identity, and longing, Searching for Sylvie Lee is both a gripping page-turner and a sensitive portrait of an immigrant family. It is a profound exploration of the many ways culture and language can divide us and the impossibility of ever truly knowing someone—especially those we love.
To save his daughter, he'll go anywhere—and any-when…
Kin Stewart is an everyday family man: working in I.T., trying to keep the spark in his marriage, struggling to connect with his teenage daughter, Miranda. But his current life is a far cry from his previous career…as a time-traveling secret agent from 2142.
Stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler's brain. Until one afternoon, his “rescue” team arrives—eighteen years too late.
Their mission: return Kin to 2142 where he's only been gone weeks, not years, and where another family is waiting for him. A family he can’t remember.
Torn between two lives, Kin is desperate for a way to stay connected to both. But when his best efforts threaten to destroy the agency and even history itself, his daughter’s very existence is at risk. It'll take one final trip across time to save Miranda—even if it means breaking all the rules of time travel in the process.
A uniquely emotional genre-bending debut, Here and Now and Then captures the perfect balance of heart, playfulness, and imagination, offering an intimate glimpse into the crevices of a father’s heart, and its capacity to stretch across both space and time to protect the people that mean the most.
The narrator of Where Reasons End writes, “I had but one delusion, which I held on to with all my willpower: We once gave Nikolai a life of flesh and blood; and I’m doing it over again, this time by words.”
Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship.
Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.
In The Sweetest Fruits, three women, Rosa, Alethea, and Setsu, tell the story of their life with Lafcadio Hearn (1850-1904), a globetrotting Greek-Irish writer best known as the author of America’s first Creole cookbook and for his many volumes about the folklore and ghost stories of Meiji Era Japan. An immigrant thrice over, Hearn is now remembered at best as a keen cultural observer and at worst as a purveyor of exotica.
In their own unorthodox ways, the three women are also intrepid travelers and explorers. Their accounts witness Hearn’s remarkable life but also seek to witness their own existence and luminous will to live unbounded by gender, race, and the mores of their time. Each is a gifted storyteller with her own precise reason for sharing her story, and together their voices offer a revealing, often contradictory portrait of Hearn.
Rosa Antonia Cassimati, a Greek woman tells of how she willed herself out of her father’s cloistered house, married a British Army officer, and in 1852 came to Ireland with her son Hearn, then only two years old, only to leave without him soon after. Alethea Foley, born into slavery on a Kentucky plantation, made her way to Cincinnati, Ohio, after the Civil War to work as a boarding house cook, where in 1872 she met and married Hearn, a young, up-and-coming newspaper reporter, despite the tell-tale warning signs. In Matsue, Japan, in 1891, Koizumi Setsu, a former samurai’s daughter is introduced to Hearn, who was the “New Foreign Teacher” there, and became the mother of his four children and his unsung literary collaborator.
With brilliant sensitivity and an unstinting eye, The Sweetest Fruits illuminates the women’s tenacity and their struggles in this novel that circumnavigates the globe in the search for love, family, home, and belonging.
Acclaimed poet Souvankham Thammavongsa returns with her fourth collection, a book about meaning. Meaning can sometimes blow up, crack something we had not seen, or darken what had been seen so clear to us. Meaning can happen with so little and go on to take so much from us. Meaning can sometimes take a long time to arrive, years even, if ever. And it's possible meaning does not mean, and that in itself could be meaningful. Whatever happens to meaning, it is always there. It means even when you don't want it. Every poem in this book looks at meaning and the ways in which it arrives, if at all.
When a woman—known only as Mother—moves her family from Atlanta to its wealthy suburbs, she discovers that neither the times nor the people have changed since her childhood in a small Southern town. Despite the intervening decades, Mother is met with the same questions: Where are you from? No, where are you really from? The American–born daughter of Bengali immigrants, she finds that her answer―Here―is never enough.
Mother’s simmering anger breaks through one morning, when, during a violent and unfounded police raid on her home, she finally refuses to be complacent. As she lies bleeding from a gunshot wound, her thoughts race from childhood games with her sister and visits to cousins in India, to her time in the newsroom before having her three daughters, to the early days of her relationship with a husband who now spends more time flying business class than at home.
Drawing inspiration from the author’s own terrifying experience of a raid on her home, Devi S. Laskar’s debut novel explores, in exquisite, lyrical prose, an alternate reality that might have been.
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.
From the days of her childhood in the 1950s Midwest, Katherine knows she is different, and that her parents are not who they seem. As she matures from a girl of rare intelligence into an exceptional mathematician, traveling to Europe to further her studies, she must face the most human of problems—who is she? What is the cost of love, and what is the cost of ambition? These questions grow ever more entangled as Katherine strives to take her place in the world of higher mathematics and becomes involved with a brilliant and charismatic professor.
When she embarks on a quest to conquer the Riemann hypothesis, the greatest unsolved mathematical problem of her time, she turns to a theorem with a mysterious history that may hold both the lock and key to her identity, and to secrets long buried in Germany during World War II. Forced to confront some of the most consequential events of the twentieth century and rethink everything she knows of herself, she finds kinship in the stories of the women who came before her, and discovers how seemingly distant lives and ideas are inextricably linked to her own.
The Tenth Muse is a gorgeous, sweeping tale about legacy, identity, and the beautiful ways the mind can make us free.
Eugene Gloria’s Sightseer in This Killing City captures the surreal and disorienting feelings of the present. In the wake of recent presidential elections in the United States and in the Philippines, Gloria’s latest collection sharpens his obsession with arrivals and departures, gun violence, displacement, cultural legacy, and the bitter divisions in America. Through the voice of Nacirema, the central persona of the collection, we are introduced to a character who chooses mystery and inhabits landscapes fraught with beauty and brutality. Gloria quotes melodies from seventies soul and jazz, blending the urban lament of Thelonious Monk and John Coltrane with the idiom of Stevie Wonder and Fela Kuti. Sightseer in this Killing City is an argument for grace and perseverance in an era of bombast and bullies.
Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet.