As a performance artist, Justin Chin has created eight full-length solo performance works and several shorter works, which have been presented nationally and abroad. ATTACK OF THE MAN-EATING LOTUS BLOSSOMS is a collection of performance art texts, documents, and scripts. These writings collect the author's performance work from 1993-2001. "Chin is one of the few national-caliber slam poets who succeed with material that's gut-wrenchingly personal and at the same time loaded with satire and commentary on pop culture"--SF Bay Guardian.
Sexy, surprising, and subversively wise, Babyji is the story of Anamika Sharma, a spirited student growing up in Delhi. At school she is an ace at quantum physics. At home she sneaks off to her parents’ scooter garage to read the Kamasutra. Before long she has seduced an elegant older divorcée and the family servant, and has caught the eye of a classmate coveted by all the boys.
With the world of adulthood dancing before her, Anamika confronts questions that would test someone twice her age. Ebullient, unfettered, and introducing one of the most charming heroines in contemporary fiction, Babyji is irresistible.
"Headlong, harrowing, holy and at times even hilarious, Zack Linmark's poems give us the vibrant technicolor life of crossed time zones and shocked cultures. Manila meets Michael Jackson here: be prepared for a thriller unlike any you've seen before! From this fine poet's tender heart, experience the spectacle of the humane"-Rafael Campo. Born in the Philippines and raised in Hawaii, R. Zamora Linmark is the author of long-time SPD bestseller ROLLING THE R'S, which he has also adapted for the stage.
Running the gamut from traditional to radical forms, Timothy Liu’s sixth collection of poems, For Dust Thou Art, continues the trajectory of his previous books but extends his lyrical range. The centerpiece of the volume’s tripartite structure is a meditation on the events surrounding 9/11 and its aftermath. In his poems, Liu explores what a twenty-first century American “poetry of witness” might look like and protests the charge that the poetic generation to which Liu belongs is stymied by a kind of jaded amorality. Whether taking on public spectacle or contemplating the fallout of a private life, these meditations move forward and backward through time, seeking spiritual consolation within a material world.
In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s painted a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men.
Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the story of a young man who bears a striking resemblance to a dictator and so finds a calling to immortality. In “The Princess of Nebraska,” a man and a woman who were both in love with a young actor in China meet again in America and try to reconcile the lost love with their new lives.
“After a Life” illuminates the vagaries of marriage, parenthood, and gender, unfolding the story of a couple who keep a daughter hidden from the world. And in “A Thousand Years of Good Prayers,” in which a man visits America for the first time to see his recently divorced daughter, only to discover that all is not as it seems, Li boldly explores the effects of communism on language, faith, and an entire people, underlining transformation in its many meanings and incarnations.
These and other daring stories form a mesmerizing tapestry of revelatory fiction by an unforgettable writer.
San Francisco art patron Bibi Chen has planned a journey of the senses along the famed Burma Road for eleven lucky friends. But after her mysterious death, Bibi watches aghast from her ghostly perch as the travelers veer off her itinerary and embark on a trail paved with cultural gaffes and tribal curses, Buddhist illusions and romantic desires. On Christmas morning, the tourists cruise across a misty lake and disappear.
With picaresque characters and mesmerizing imagery, Saving Fish from Drowning gives us a voice as idiosyncratic, sharp, and affectionate as the mothers of The Joy Luck Club. Bibi is the observant eye of human nature–the witness of good intentions and bad outcomes, of desperate souls and those who wish to save them. In the end, Tan takes her readers to that place in their own heart where hope is found.
Sigrid Núñez's The Last of Her Kind introduces two women who meet as freshmen on the Columbia campus in 1968. Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. After the violent fight that ends their friendship, Georgette wants only to forget Ann and to turn her attention to the troubled runaway kid sister who has reappeared after years on the road. Then, in 1976, Ann is convicted of murder. At first, Ann's fate appears to be the inevitable outcome of her belief in the moral imperative to "make justice" in a world where "there are no innocent white people." But, searching for answers to the riddle of this friend of her youth, Georgette finds more complicated and mysterious forces at work.
The novel's narrator Georgette illuminates the terrifying life of this difficult, doomed woman, and in the process discovers how much their early encounter has determined her own path, and why, decades later, as she tells us, "I have never stopped thinking about her."
A "heartwarming and heartbreaking"* story of a Korean American girl's search for her roots
Somebody's Daughter is the story of nineteen-year-old Sarah Thorson, who was adopted as a baby by a Lutheran couple in the Midwest. After dropping out of college, she decides to study in Korea and becomes more and more intrigued by her Korean heritage, eventually embarking on a crusade to find her birth mother. Paralleling Sarah's story is that of Kyung-sook, who was forced by difficult circumstances to let her baby be swept away from her immediately after birth, but who has always longed for her lost child.